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by Mary W Maxwell, PhD, LLB How did Australia get to where she is today? I’ll play-act three scenes here of some 1990s “planning meetings.” The setting for this is a foreign land. I’ll pretend I am the boss, giving out assignments for an event to take place in Port Arthur, Tasmania in 1996. […]
The saga of the Huon Valley’s ‘dysfunctional’ council flowed on this past few days in a torrent of media releases. The rush started soon after Local Government Minister Peter Gutwein, offering no evidence, dumped on Mayor Peter Coad as the cause of all the trouble. One wonders if the Minister has ever got around to reading for himself the report of his Board of Inquiry, which, in June, found HVC dysfunctional and made 55 recommendations — most of which Gutwein seems to have decided can be ignored … IN TT MEDIA ... • Gutwein gives Huon Valley Council an ultimatum ... SACKED ... • ABC: Huon Valley Council to be sacked after infighting, Minister to appoint commissioner Huon Valley Council will be sacked after mediation failed to overcome bitter divisions between councillors and the general manager. Local Government Minister Peter Gutwein told the Tasmanian Parliament he had hoped the council would resolve its issues through mediation, but it had failed. “As this council is unable to work together for the benefit of the Huon community, they’ve left me no other option but for me to take the course of action I have outlined,” Mr Gutwein said. “They deserve to have strong leadership, goodwill and and good governance.” The council has been plagued with infighting. Last week, Mr Gutwein criticised Mayor Peter Coad for pulling out of mediation and told him to resign. But Cr Coad refused to go and called on Mr Gutwein to sack the entire council, in line with the recommendation of an independent investigation. Two other councillors have since pulled out of the mediation process … • Madeleine Ogilvie: Half a million dollars wasted in Huon debacle Minister sat on his hands while dysfunction continued Gutwein completely hands-off during critical mediation period Ratepayers should not have been saddled with sorry state of affairs … • Peter Gutwein: Huon Valley Council It has been clear for quite some time that the Huon Valley Council has not been operating as well as it should. The Government believes that as a democratically elected council, in the first instance it is up to the councillors themselves to resolve their issues. We have assisted the council by appointing a Board of Inquiry to independently investigate a number of concerns and complaints that had been raised. The Board recommended that either the Council be dismissed or a mediation process initiated … • Rosalie Woodruff: Huon Valley Residents Suffer Gutwein’s Delay After three months, the Minister for Local Government has finally taken his Board of Inquiry’s advice on fixing Huon Valley Council’s toxic culture. Minister Gutwein’s decision to dismiss all the Huon Valley councillors, appoint a commissioner for at least 12 months, and then call elections at some point afterwards is a welcome relief. It took the withdrawal of three councillors and an online petition organised by Huon Valley residents to force the Minister to get his head out of the sand. We’re pleased he’s finally going to listen to his Board of Inquiry and address the dysfunction, but it shouldn’t have taken three months. It’s Huon Valley residents who have been left in limbo and who are suffering from Peter Gutwein’s poor process … EARLIER on Tasmanian Times ... • How low can Huon’s council go?
In case you hadn’t heard, the headliners for next year’s MONA FOMA were announced earlier this month. It was arguably the quirky Tasmanian festival’s most impressive lineup announcement to date, and we don’t even know who else is playing yet.
It almost doesn’t matter, since the reaction to the news that Faith No More frontman Mike Patton and Maynard James Keenan’s Puscifer would soon be sharing a bill in Australia was enough to get fans excited and FOMO-ing all over social media.
But as Patton fans know, a tour announcement from the prolific vocalist, whose range rivals the likes of Mariah Carey, could mean just about anything. Recent Patton tours have involved everything from Faith No More to orchestral Italian pop music.
So what is tētēma?
As Patton recently explained to the Sydney Morning Herald, it’s the mind-bending collaboration between himself and Aussie composer Anthony Pateras and he’s not actually 100 percent sure the two of them can pull it off. “I can’t lie to you, I’m a little bit nervous,” he said.
“I don’t know how we’re going to pull this stuff off… To be honest – how should I say? – it’s a logistical nightmare.” Patton refers to the intricate and ambitious collaboration, which yielded the album Geocidal, as “world music from another world”.
The story behind the creation of the album is as much of a curveball as the music. It involved Pateras moving to a convent in rural France where he locked himself away for 10 days before emerging with a suite of left-of-field rhythmic soundscapes.
The album, in the making since 2009, was finalised in San Francisco over 48 hours. “The interesting thing about the record is that every element is recorded in a different country, and this gives the sound a displaced, almost vaporous intensity,” said Pateras in a statement.
“I moved country twice during its genesis as well… the whole Geocidal thing is about coming from no place, re-birthing, watching the place you are from be altered beyond recognition that you have nothing to do with it anymore.”
So those fans expecting to hear a rendition of ‘Epic’ are out of luck and should strap yourselves in for some seriously twisted and challenging sound art. But as Patton told the Sydney Morning Herald, more music from Faith No More is not out of the question.
“I don’t know whether or not we’re going to attack it,” Patton told the outlet, “but there is some stuff we wrote around the time of the last one and said, ‘Why don’t we save this for the next record?’ So we’ll see.”
Sahara Beck admits that she has always loved the works of Quentin Tarantino, so when she got the chance to film her new music video for ‘Tapping On The Roof’, she lapped up the opportunity to pay homage to Tarantino’s first film – Reservoir Dogs.
“I’ve always been a huge fan of Quentin Tarantino,” she says, “so when we were creating the idea for the ‘Tapping on the Roof’ music video Matt Jeston (Director) came up with the idea that we roughly base the video on the torture scene from Reservoir Dogs. It’s such a great movie and I’m so happy that I get to pay my respects to it through my own art.”
The clip was filmed at the Brisbane’s Lefty’s Old Time Music Hall, which created the perfect backdrop to her uniquely gorgeous track, the click-clack of percussion echoing its title perfectly. The Tarantino influence definitely doesn’t end at the video either, as ‘Tapping On The Roof’ wouldn’t feel at all out of place on a Kill Bill soundtrack.
You’ll be able to catch Sahara live when she joins Brisbane’s Ball Park Music on their mammoth national tour with The Creases, as well on as her very own solo tour, which culminates with a show at Festival Of The Sun – dates below.
Thursday 22 September
Studio 56 @ Miami Marketta, Gold Coast QLD
Friday 23 September
Solbar, Maroochydore QLD
Saturday 24 September
The Triffid, Brisbane QLD (all
Sunday 25 September
The Triffid, Brisbane QLD (all ages)
Thursday 29 September
ANU Bar, Canberra ACT
Friday 30 September
Enmore Theatre, Sydney NSW (all ages)
Tuesday 4 October
The Corner Hotel, Melbourne VIC
Wednesday 5 October
Barwon Club, Geelong VIC
Thursday 6 October
Barwon Club, Geelong VIC
Friday 7 October
170 Russell, Melbourne VIC
Saturday 8 October
The Uni Bar, Hobart TAS
Thursday 13 October
The Gov, Adelaide SA
Friday 14 October
The Gov, Adelaide, SA (all ages)
Friday 21 October...
… Unthinkable? But a recent study compiled by Australian and United States co-authors have identified that through human growth and the insatiable demand for natural resource extraction, the wild expanses of nature across the globe will be diminished to isolated pockets of primitive country in only a few nations by the end of this century …
Urban Wronski ... a reincarnated Bob Ellis … Our cruelty is not only wrong it is expensive. This week sees both a Save the Children and a UNICEF report reveal off-shore detention has cost us $9.6 billion since 2013 – more than the UNHCR’s total global budget for programs this year. The reports coincide with an Audit Office report that puts the cost per detainee at $1570 per day or enough to put each asylum-seeker up in a Hyatt hotel and pay them the pension fifteen times over, calculates Fairfax’s Peter Martin. The Audit Office report shows that not only did the Coalition government breach public service tender guidelines, it created a false sense of emergency to allow it to dispense with proper procedures permitting the successful contractor to add an extra $1.1 billion to its bid without facing any counter-bid. The department of Immigration kept this additional premium secret from then Immigration Minister Scott Morrison who was also not told of the price per head. Also kept secret is Malcolm Turnbull’s own donation to his party campaign war chest made in the second half of the eight week election campaign although he has volunteered that he chipped in $2 million rather than the $1 million originally reported. It is still a good investment should he last three years. Turnbull is the only PM in Australian political history to have bought his own mandate but, oddly, no-one brings this up as his greatest achievement. • The Saturday Paper: Malcolm Turnbull’s biographer turns on the PM • The Age: We are living in the age of unreason and that’s a fact ... • Luigi in Comments: Yes, Malcolm’s Prime Ministership looks pretty bad from the outside. But we should have some sympathy. Imagine how bad it is for him from the inside.
Brisbane reggae stalwarts Kingfisha are back with their second album Offered It Up, having kept us waiting a long time since their 2012 self-titled debut record put them squarely on the map.
After such a long interval that’s seen the band touring internationally, it’s good to have them back – and the band are glad to have the album out after a lengthy recording process.
“We tried some different approaches from our first album,” the band say of the new record. “We worked with some new people and the production feels a step up. It wasn’t the easiest of processes, but to hear it as one piece of work, we’re all really happy with how it’s come together.” For a few more tidbits, they’ve also given us their thoughts on each of the tracks, below.
You can listen to Offered It Up below, and catch it live as Kingfisha head out on tour at the end of the month, dates below. The album is available now on ABC Music.
This is one of our few political tunes. It started out as a really slow one drop, then we changed the beat added horns and revamped it heaps in the rehearsal room
The descending vocal melody had been an ear worm for a few months and wasn’t really going anywhere until I was on a flight to Hobart with an old acquaintance and the lyrics and theme became quite apparent. Upon returning to Brisbane we spent a few hours in the studio and ‘Dirty Man’ was complete.
Incorporating both our strong loves, electronic and roots music. Left it was originally conceived at a sunny afternoon bbq. Lyrically the song is about one of those rare relationships that ends amicably.
The verse melody came from our sound guy yawning. From there their was no turning back.
This track is heavily inspired by one of our favourite and widely unknown reggae bands Midnite. It’s one of the slower jams in our repertoire.
This song took along time to get right in the studio. Feels like we got there in the end. It’s our take on UK Steppers.
The melodies and chords came to life the morning after an amazing night we all shared in Reunion Island drinking rum and watching Manu Chao. The lyrics and the rest of the song was finished in a farmhouse in southern France.
Was built from the rhythm up. We spent a weekend in the northern rivers swimming, eating and playing music. This rhythm really seemed to stick. It was the last tune completed for the album.
This is one of our favourite live tunes. It’s all revolved around the bass line.
The only song on the album that was completed start to finish in the studio. Was a blast having a completely different approach.
30 Sept – The Jack , Cairns QLD
1 Oct – Wallaby Creek Festival QLD
7 Oct – Torquay Hotel, VIC
8 Oct – Northcote Social Club, Melbourne VIC
15 Oct – Newtown Social Club, NSW...
Media release 19 September 2016
The Bob Brown Foundation is presenting its 5th annual
Environment Awards at a ceremony in Hobart today.
These awards recognise environmental activists who have been prepared to ‘step off the footpath’ to defend the natural world, often at great personal, physical and legal risk.
The 2016 Environmentalist of the Year, with $5000 prize money, is Peter Owen, Director of The Wilderness Society South Australia. Over the past decade, Peter has been instrumental in the protection of large areas of land and seascape including the Nullarbor Plain, South Australia’s Offshore Islands, the Arkaroola Mountains, the Mawson Plateau and the declaration of the State’s 19 marine parks – Australia’s first representative marine park network outside of the Great Barrier Reef.
In January 2016 Peter spearheaded the formation of the Great Australian Bight Alliance, a platform for people and organisations to stand together against fossil fuel mining in the Bight and prevent a Gulf of Mexico scale oil spill which would decimate the marine environment from Western Australia to Tasmania and beyond.
“Peter Owen is in the front rank of ecological achievers world-wide.”
“Thanks to Peter’s tireless campaigning over more than a decade, vast swathes of South Australia’s unique landscapes, islands and marine environments have been protected.”
“This South Australian environmental champion is now determined to see the Great Australian Bight rid of the threat of fossil fuel mining. Peter is leading the campaign to drive BP, and other would-be environmental despoilers, out of the Bight’s wild and pristine waters once and for all”, Bob Brown said.
The 2016 Young Environmentalist of the Year, with $2000 prize money, is Josh Creaser.
A 25 year-old born and bred Canberran, Josh is 350.org Australia's Frontline Projects Coordinator, working on national campaigns to stop the expansion of the coal and gas industry and support a rapid and fair transition to a fossil free energy system.
“The climate action movement is a powerhouse of young activists and Josh Creaser is one making a huge impact.”
“Josh has helped organise some of the most inspirational direct actions of the last few years, involving thousands of people in creative, peaceful protests against the coal and gas giants responsible for dangerous climate change”, Bob Brown said.
“Young, articulate and with a vision for a clean energy future backed by science and public opinion, campaigners like Josh must be a nightmare for the coal and gas industry”, Bob Brown said.
The 2016 Community Environment Prize, and $2000 prize money, goes to Goongerah Environment Centre (GECO).
GECO is a grass roots community group based in the small town of Goongerah in far East Gippsland, Victoria. GECO have been campaigning for protection of East Gippsland’s forests since 1993.
Using a variety of strategies including education, political lobbying, non-violent direct action, citizen science and forest monitoring, GECO have successfully protected a number of important forest habitats for a range of threatened species.
“Goongerah Environment Centre (GECO) are local environmental heroes. Time after time, the authorities have failed to enforce their own laws designed to protect forests and their wildlife, and this brave band of activists have stepped in to ensure the law is upheld.”
“Thanks to GECO’s persistent and innovative campaigns, hundreds of hectares of habitat for threatened species like the Greater Glider and Long-footed potoroo have been saved from destruction.”
“Incredibly, GECO’s activists have...
Media Release 18 September 2016
After visiting the World Heritage Styx Valley of the Giants
today, environmentalist Bob Brown says clearfall logging right to
the side of the Styx Valley Road is an outrage against Tasmania's
"Forestry Tasmania has shown sheer bloody-mindedness since the World Heritage declaration. Rather than leave a screen of forest beside the road over the Maydena Range to the spectacular Styx Valley, recent logging is right to the roadside. And tomorrow, Forestry Tasmania is closing the Styx Road again, this time in the heart of the valley between the Styx Bridge and the Big Tree Reserve to log regrowth native forest right to the roadside. It is sickening. this is not what visitors are expecting," Bob Brown said.
"I call on the Hodgman government to have a win-win outcome by proceeding while leaving a 50 metres screen of forest next to this major tourism artery."
Attached Photographs Logging to Styx tourism road on Maydena Range today by Bob Brown.
For more information
0427 366 929
“The internet is a telephone system that’s gotten uppity” Clifford Stoll. In that one phrase, US based author and tech commentator Clifford Stoll, nails the Tasmanian challenge … … Our digital economy is the fifth pillar of the Tasmanian economy - and we can grow our intellectual exports, consulting and professional services, data management and creative economy. At the heart of Tasmania’s ability to operate, trade, educate, heal and employ is a robust communications infrastructure. It is precisely because we have had such a good system that on a day to day basis many of us don’t need to give much thought to whether we will be able to access our Facebook today, do some online shopping or upload data to sell on the mainland …
In case you are experiencing problems loading TT, it is because Andrew the Tech is upgrading TT ... for which Beloved Readers have so generously donated heaps. The technol underpinning TT is about 10 years out of date. Hence the upgrade. There may be glitches ... but the end result will be wondrous ... well, little will change for the gentle readership. But heaps for the Backend. Blessings, Linz!x There will be a delay in uploading the latest Urban Wronski, a feature from Madeleine Ogilvie MP ... and the very latest Ted Mead …
It’s raining. Quite a bit actually, for this neck of the woods, 8mm so far today, and it’s only mid afternoon. What else is a blogger to do in this sort of weather but…. blog! The green manure crop is doing well, and should be plainly visible by the time Glenda arrives here next weekend…..
On Friday, I drove my French wwoofer to Buckland, a whole 130km away. I did this because she agreed to pay me her bus fare towards my petrol costs, and I wanted to see the permaculture property she was moving to. It also meant she’d only have to spend an hour and a half in my ute as opposed to four hours in buses… Then on the way back, I could conveniently pick up two IBC’s (which stands for the enigmatic intermediate bulk container) and are basically 1000L plastic cubes inside a metal cage for holding, in my case, water. Then while driving back through Hobart, I was able to pick up a second dipole circuit breaker for the power station, and a new pump for filling above mentioned IBC’s from the dam….
Paul, who owns and runs the Tiger Hill property I took Laureen to, took the time to show me around…. What I found fascinating was the way some permies take on challenges, just because they can! Paul, it turns out, comes from a heavy machinery driving background, working in mines. Not the sort of bloke one would expect to turn into a permaculture greenie, but there you go…..
Over the past five years, Paul has concentrated on earthworks, which this place really needs, as it’s normally dry as a bone, with only 300mm of annual rainfall. Not that this was evident on my visit, Tiger Hill had just been blessed with 65mm of rain just the day before, and there was water everywhere, which clearly demonstrated the efficacy of his swales….
His biggest issue, as far as I was concerned, is the prolific wildlife. The grass looked like it had been mown to within an inch of its life, and there were wallaby scats everywhere….. and I mean, everywhere! This means his extensive garden – he sometimes has as many as 12 wwoofers working there – has to be entirely covered with poly pipe hoops and netting… and because he still has no animals of his own yet because he apparently flies in and out of Tasmania frequently, most of his efforts go to feeding the wildlife, except for the netted bits. He compensates for the lack of animal manures by having more composting toilets than I cared to count, he is indeed big in humanure!
The reason I bought another dipole circuit breaker for the power station is that I have moved the freezer into the container. Everything is now switched on and operational, but the freezer alone is not enough to load up the batteries, so I have put a breaker on each string of panels so I can switch one off when there’s an overabundance of sun…. this not being the case today, both strings generated barely enough to cover the 1.3kWh that the freezer consumed in the past 24 hours.
Mind you, the freezer probably worked extra hard after being moved, and later filled with (almost) a whole lamb purchased from next door.
Soon, I will also have my new pump hooked up to fill one of those ICB’s so that I can water the crops that will be planted in the new poly tunnel. Which leads me to the excitement…….
I recently found a two inch poly pipe going under the road, from the apple orchard to the base of the dam wall. The dam has a 100mm sewer plastic pipe g...
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